Posts tagged #Greil Marcus

Ordinary Life: Greil Marcus' New Books and Extended Thoughts

I was fortunate enough to review Greil Marcus' two new books, Three Songs, Three Singers, Three Nations and Real Life Rock, for the Los Angeles Review of Books. The review is now up. Please consider checking out the many fantastic writers and thinkers at LARB, which has quickly become one of my favorite sites.

I don't have much in the way of extended thoughts, but here's a bit more....

Extended Thoughts on Music as Event and Construction

My review essay about Greil Marcus' The History of Rock 'n' Roll in Ten Songs is up at Public Books. Go there, read around; it's a great site with excellent contributors, and I'm pleased to have my work published there.

In the course of editing the original essay, which was 3600 words (ie. too long) when I first submitted it back in August, Stephen Twilley suggested the deletion of a major argument, one that drifted too far from the needs of the review. And he was right; the resulting review is stronger for the cut. I'm grateful to Stephen and also to Ed Winstead for their wise input.

But what good is having a blog if you can't wax poetic about outtakes?

The deleted argument centers on a question that's still important to me: Is music best understood as an event or a construction? Of course music is both a made thing, a constructed song of chords and words, and a performance that constitutes an event (including a boring event, like the time my friend Eric Nassau and I excitedly went to see Prisonshake, took heart that they seemed to be getting drunk before their set, and were shocked when they played too quietly…the only time I've ever experienced that: a rock band playing too quietly because they were thoroughly soused, but anyway….) So music is both, but do we get more out of music criticism that approaches music one way or another? One of the arguments I'm making in "Nothing Has Been Done Before" is that Marcus' book, and his entire viewpoint as a critic and cultural historian, emphasizes music-as-event while the majority viewpoint sees music as primarily a construction, which serves a consumerist culture incredibly well and strips away the humanity, the surprise, and the threat of music.

Posted on December 1, 2014 and filed under Music Criticism.

Review of The History of Rock 'n' Roll in Ten Songs

My review essay, "Nothing Has Been Done Before," about Greil Marcus' superb The History of Rock 'n' Roll in Ten Songs has been published at Public Books.

Here's a very brief excerpt:

The book’s goal is to de-organize and destabilize such neat and redemptive narrative structures and register a subtle protest against the reductive nostalgia upon which those chronicles are founded and maintained, by examining the possibility that “records that made no apparent history other than their own, the faint marks they left on the charts or someone’s memory, might count for more than any master narrative that excludes them.” With a title that playfully alludes to Buzzfeed-style link-bait reductionism, The History of Rock ’n’ Roll in Ten Songs goes deep and wide, evoking those 10 songs and their performances across time in some of Marcus’s best writing in a decade.

This was a watershed moment for me as a critic of music and pop culture, an inspirational and progressive occasion, I think. I'll be posting more on the essay in a few days, including some outtakes that were wisely cut by the excellent editors at Public Books.

I'll also have some thoughts on the provocative ICAF conference I attended here in Columbus last week.

Posted on November 19, 2014 and filed under Music Criticism, News.